The Sydney Opera House

"I like to be on the edge of the impossible", saidbuild.
John Utzon, the Danish architect who wasTen years after Utzon started work on the
responsible for designing the Sydney Operaopera house a newly elected Australian
House. On my recent visit to Australia I touredgovernment gave him an ultimatum. He either had
the world- renowned landmark. I learned that itsto make concessions in his design and collaborate
construction and design was indeed a story ofwith government architects so the building could
someone achieving 'the impossible', but it is also abe finished more quickly, or he had to quit. Utzon
story of dreams and relationships broken andresigned and the government hired others to
restored.complete his work. Utzon never went back to
The Sydney Opera House is a World Heritage SiteSydney to see the finished opera house even
because so many of the architectural methodsthough he won many of architecture's most
and engineering techniques used to build it wereprestigious awards for designing it.
completely new and were created expressly forThirty- three years after he'd resigned someone
its construction. Utzon's design for the building wasfrom the opera house staff approached Utzon to
chosen from 233 submitted, but no one, includingapologize to him and ask for an interview. Would
Utzon, was really sure a structure of its kind couldhe be willing to let them see all his notes and
be built. The tiles on the outside are just onedrawings and would he explain his original ideas so
example of the innovation required. They changethey could be kept for posterity? Utzon accepted
color depending on the amount of daylight and thethe apology and agreed to the interview. Now the
temperature, so they rarely look the same. MostAustralian government is slowly making changes
importantly they are self -cleaning. It took Utzonto the Opera House so that eventually it will look
three years to design just the tiles.exactly as Utzon planned. They have already
Utzon devised and tested sixteen differentreplaced concrete outer walls with banks of
schemes for making the famous white sails onwindows and repainted interior walls with new
the building's roof before he figured out how tocolors following Utzon's original plans. Utzon's son
cut them from circles of steel. 16,000 workershas flown to Sydney to supervise these changes.
were required to be on site during theJohn Utzon died last year at age 90 but he died
construction of the signature 'sails'. Utzon by theknowing that his original 'dream' for the Opera
way did not call them sails. He wanted them to beHouse would become a reality in the future.
abstract so each visitor to the opera house couldSeven million people from all over the world visit
have their own idea what they looked like. Somethe opera house each year and 350,000 take a
people say they remind them of waves, aguided tour. They learn all about how the one of
dragon's back, seashells, or dishes in a dishwasher.kind architectural masterpiece was built. They also
I thought they looked like Marilyn Munroe's whitehear the story of how the relationship between
dress in the movie Some Like It Hot when a blastthe opera house designer and the country of
of air from the subway grate blows her skirt upAustralia was broken and restored because each
into the air. Whatever they remind you of, thoseparty was willing to be gracious and forgiving. Both
'sails' on the opera house roof took eight years toof the stories are inspiring and important.