| The Early History Of The Black Grand Theatre. | | | | Lindo, Matheson Long and the husband and wife |
| The Blackpool Grand Theatre has a great history | | | | team of Cicely Courtneidge and Jack Hulbert |
| as it was opened on July 23, 1894, by Thomas | | | | appeared at The Grand in the 1920s. The theatre |
| Sergenson, The Grand was labeled as | | | | began to be used by top West End producers for |
| ‘Matcham's Masterpiece’, as a tribute to | | | | British premieres and for forty years many plays |
| Frank Matcham, the leading Victorian theatre | | | | and musicals were seen at the Grand ‘prior |
| architect. The theatre was built in under 9 months | | | | to London’. |
| and cost £20,000 which Sergenson funded from | | | | With the success of talking pictures, the Grand in |
| renting 2 much smaller theatres and a circus over | | | | the 1930s was a cinema in the winter and staged |
| a 5 year period. | | | | ‘live’ shows during the holiday season. |
| With his new theatre, Sergenson packed | | | | Stars included Sybil Thorndike, Marie Tempest, |
| performances with some of the biggest stars of | | | | Jack Buchanan and Leslie Henson. Most famous of |
| the era It is reported that the very first | | | | the 1930s' attractions was Gracie Fields, who |
| performance was of Hamlet with Wilson Barrett, | | | | made all her Blackpool Variety appearances from |
| a leading actor-manager who had often appeared | | | | 1932 to 1938 at the Grand Theatre. |
| in Blackpool. Less than a month later, Sergenson | | | | When the Tower Company began to build the |
| brought perhaps one of the biggest stars of the | | | | new Blackpool Opera House in 1938, The Grand |
| age to the Grand, Herbert Beerbohm Tree.* | | | | was returned to its role as an all-year playhouse. |
| * **In Other earlier performances included the | | | | In 1939 the theatre's list of stars included Sir John |
| musical hit of the London season, A Gaiety Girl; | | | | Gielgud, Edith Evans and Peggy Ashcroft in Oscar |
| the comedy hit Charley's Aunt; and a visit by the | | | | Wilde's The Importance of Being Earnest; Rex |
| Carl Rosa Opera Company. Sergenson made an | | | | Harrison, Diana Wynyard and Anton Wallbrook in |
| arrangement with George Edwardes, the king of | | | | Noel Coward's Design For Living; and Donald Wolfit |
| musical comedy production, to have the first | | | | in a Shakespeare week.* |
| choice in Blackpool of those famous musicals from | | | | *The first summer season show was held in |
| the Gaiety Theatre and Daly’s Theatre, | | | | 1940. In October, 1942, Noel Coward premiered |
| London. During his fifteen years at The Grand, | | | | and appeared in two of his plays - Present |
| Sergenson presented great stars like Ellen Terry, | | | | Laughter and This Happy Breed - and threw in |
| Madge Kendal, Sarah Bernhardt, Lillie Langtry, F R | | | | Blithe Spirit for good measure! |
| Benson and Dan Leno. In 1909 he sold the theatre | | | | The Grand continued through to thrive during the |
| for a handsome £47,500 to the Blackpool | | | | 1950s. Ralph Richardson, Michael Redgrave, Alistair |
| Tower Company, who ran the Grand for the | | | | Sim, George Cole, Evelyn Laye and Margaret |
| next sixty-two years. | | | | Lockwood could be seen there, while the most |
| The Grand was the first Blackpool theatre to | | | | frequent visitors were the husband and wife |
| present the two big musical hits of World War | | | | teams of Jack Hulbert and Cicely Courtneidge and |
| One - The Maid of The Mountains and Chu Chin | | | | Michael Denison and Dulcie Gray. |
| Chow. In the 1920s it also become noted for | | | | The recent history of the grand will be covered in |
| staging big American musicals like Rose Marie, The | | | | my next article. Ben writes about Blackpool & |
| Desert Song and No No Nanette. Great stars like | | | | finding a great Blackpool Hotel. He also writes for |
| Evelyn Laye, Carl Brisson, Tallulah Bankhead, Olga | | | | the Blackpool Directory. |