Musical Genius

Sight-reading is the musical art whereby aLiszt was legendary for his technical flights of
musician is able to play music they have neverfancy. Once the composer Grieg brought the
heard or seen before, instantly, reading from thegreat master his A minor piano concerto, which
sheet music with great fluency.he humbly showed to Liszt in a handwritten
There are many stories of the legendary abilitiesmanuscript. It was a very messy manuscript,
of the great composers, and today we will showindeed, for by Grieg's own account it was full of
you several hair-raising examples that will havescratched out passages and terrible music
you running to the practice rooms to hone yourhandwriting.
sight-reading and related abilities. Or perhaps youBut Franz Liszt was not deterred by the tattered
will collapse in frustration. Read on.condition of the score. He calmly opened it, looked
Mozart was said to be able to read and play anyat it for a moment and then played it perfectly
music instantly. No practicing, no rehearsing. Notand with gusto in front of the dumbfounded
only that, he could, for example, write out thecomposer. All the while Liszt missed not a note,
four separate parts of a string quartet BEFOREmind you, keeping up an erudite and witty
he had written out the complete score. Thiscommentary on the orchestra parts, which he
means that he had a perfect mental impressionplayed as well, along with the solo piano part.
of every note in a piece he had never played, andLiszt was in fact encyclopedic in his knowledge of
never heard.all the music published in his lifetime. He is said to
Beethoven once had to play one of his pianohave played every known piece in history,
concertos on a piano that was a half step out ofperfectly, in his weekly master classes. And this
tune. With no time to tune the instrument, thereincluded not only piano music, but any music,
was only one choice: play the concerto not in theoperas, symphonies, concertos, popular music.
key of C, but in the key of B, instantly, which heAnything.
did with not a single wrong note, to the utterIn a spirit of encouragement, remember that
astonishment of the orchestra.even Liszt had to develop this breathtaking
To put this in perspective, in case you don't knowmusical craft. When he first came to Paris as a
what musical "keys" are, it is like an actor who,teen aged firebrand, he was a gawky Hungarian
five seconds before taking the stage as Hamlet,boy and needed polish in order to become the
is told suddenly, "Oh, by the way, please do thefirst genuine superstar of classical music.
part in Swedish." No problem, said Ludwig, and didNow go back and practice.
it straightaway.