| The music industry in China has significantly | | | | language repertoire. It's what they like. The WTO |
| changed over the past couple of decades, from a | | | | decision is certainly not going to change the |
| tightly government-controlled propaganda pipeline | | | | musical tastes of the Chinese consumers. And |
| into an increasingly powerful and sophisticated | | | | why should China embrace western music in a |
| economic sector. Spearheading the way in China's | | | | language they don't understand. Does the West |
| entertainment industry is Kenny Bloom, music | | | | embrace Chinese music? That's a totally open |
| veteran of over 30 years, and Founder and CEO | | | | market. This has been an inane concept for quite |
| of VisiTek Holdings, Ltd. Born in New York City, | | | | some time, that every market has a pent up |
| Mr. Bloom, at age 56, has accomplished more than | | | | demand for Western culture. In a way, it sends a |
| most people do in a lifetime, and he has no plans | | | | very disturbing message that "your culture is not |
| of slowing his pace. To say that his list of | | | | as relevant". |
| accomplishments is impressive would be a gross | | | | Q: Let's discuss the latest western invasion in |
| understatement. | | | | China - Google's oPhone vs. Apple's iPhone, China |
| A winner of the Lincoln Center Award for Music | | | | Mobile vs. China Unicom... While the iPhone launch in |
| Achievement at age 15, Bloom attended both | | | | China thus far has been disappointing, it is turning |
| Julliard and Manhattan Schools of Music Prep | | | | into a new platform being seized by indie bands |
| Departments. He joined Atlantic Records in 1977 | | | | and labels to release content and manage their |
| (a subsidiary of the Warner Music Group) and | | | | fan base. How will the smart phone impact the |
| launched KB communications in 1984, one of the | | | | Chinese music business? |
| first entertainment marketing companies. He | | | | It will be a long time before smart phones are in |
| formed a joint venture with China Film (China's | | | | the hands of the "average" Chinese consumer. |
| film monopoly) in 1988 and secured the China | | | | They are just too expensive to have a huge |
| license for the Warner Music library, which led to | | | | impact outside of business applications. |
| the first foreign owned PRC record company | | | | Q: But, the Chinese are super-status oriented and |
| since 1949. Over the years, Bloom went on to | | | | there is an upper-middle urban class. Why, when |
| produce numerous radio shows, television | | | | these products are launched in China, would they |
| programs, concerts by internationally renowned | | | | not be successful - especially with 400 million |
| artists, soundtracks, and Broadway plays. He is | | | | mobile users? |
| widely recognized as a major player in the | | | | Even with 400 million users, you are talking about |
| entertainment industry. | | | | a relatively small percentage of the population |
| One might wonder if Bloom would be ready to | | | | who are upper-middle urban class. Out of the total |
| ride on his reputation for a while, coasting through | | | | population, maybe 3% can be classified as such. |
| the years to come after having such an illustrious | | | | And they're not necessarily listening to music, |
| career. But nothing could be farther from the | | | | certainly not Western music. |
| truth. In fact, Bloom is moving faster, striking | | | | Q: Pepsi has been making big moves in China with |
| harder with a bold strategy to become a leading | | | | their nationally televised Battle of the Bands "Vox |
| content producer. Leading the charge is MOGO, a | | | | Rock" and launch of their music label QMusic. Is |
| video site covering the emerging independent | | | | Pepsi really serious about supporting the |
| music scene in China to the young, hip | | | | independent Chinese music scene? And if so, is |
| (undeserved) urban music consumer. | | | | this a model that will have legs in China (i.e., might |
| I had an opportunity to interview Mr. Bloom | | | | we someday listen to Tsingtao's latest buzz |
| regarding his past, and his vision for the future. It | | | | band)? |
| was one of the most enlightening, thought | | | | It is essential that corporate sponsors support the |
| provoking, and inspirational interviews I've ever | | | | music industry. We are now seeing more of it |
| had the pleasure of doing. | | | | focused on rock and hip-hop. But we also need |
| Q: You've had over 20 years experience in the | | | | local media to embrace those musical styles in |
| Chinese music business, beginning with the launch | | | | order to build the consumer base. Otherwise, |
| of Warner Music China. What are some of the | | | | sponsors won't be able to quantify their |
| unique characteristics that have shaped its | | | | investment in music that is outside of the |
| development? | | | | mainstream. |
| For one thing, massive piracy. The only business | | | | Q: Isn't QMusic much more than sponsorship? |
| left now is ringtones and live shows. That said, | | | | They're talking about developing and launching |
| there are more artists now then every before. | | | | new bands, like Starbucks Hear Music. |
| 20 years ago there were half a dozen big pop | | | | Let's see what they do. It's still too early to make |
| stars and 4 rock bands. Now there are scores of | | | | judgments as they have not yet started their |
| pop stars and well over 300 working rock bands. | | | | operations. |
| Q: So what's sustaining that growth in the face of | | | | Q: I have one final question for you. Mogo is |
| piracy? | | | | something of a 21st century MTV-like pioneer in |
| Basically, live shows. The entire industry is going | | | | China. You are creating original and professionally |
| through a global transition. China is no different in | | | | produced WebTV content (not user-generated), in |
| that regard. | | | | support of the emerging independent scene (art, |
| Q: There's been a lot of talk about the recent | | | | music...). That's difficult enough in the West. What |
| WTO decision opening the Chinese market to | | | | are some of the unique challenges you face - the |
| more Western entertainment, including music. The | | | | consumer, the government, advertisers? |
| RIAA reaction to the decision was to state: | | | | It's China's own home-grown music TV station |
| "Enhancing the ability of the U.S. creative | | | | and all parties have been very supportive. The |
| community to do business in China will generate | | | | biggest challenge we are facing is finding qualified |
| needed revenue and jobs to the U.S. economy." | | | | staff. Every company has problems finding |
| This seems to fly in the face of the piracy | | | | experienced workers. Don't forget, the modern |
| problem. But having said that, do you believe that | | | | era of China is only 30 years old with most of the |
| the decision will at least result in an increase in the | | | | development coming in the past 10. The word of |
| international repertoire's share of the overall | | | | the day is "patience". It will all happen, but it will |
| market? | | | | happen on China's terms. |
| China's music market has a 98% mandarin | | | | |